This blog isn’t only about writing; it’s also about what I’ve been reading. And the last book I’ve devoured (is it bad to admit that I chew on bookmarks?) is Green Mars.
The second in Kim Stanley Robinson‘s Mars trilogy, it focuses on the rebellious and quite literally underground lives of both settlers and natives of the Red Planet. There are none of the massive set-pieces that gave the first book such vivid and exciting hooks. Instead we focus on a planet that is both undergoing radical change by humans, and affecting change in the humans that inhabit it. It is a much more character driven novel (spoiler: unlike the first none of the protagonists are killed off!) with fantastic transitions that mirror a society in flux. After the horrendous uprising of 2061 that saw the majority of Martian cities destroyed and most of the original populace driven to hiding, we finally get to see the effects of terraforming en masse. But it is the heroes of this world that are the most enthralling.
The man behind the terraforming efforts, Sax sees the greatest character arc. From mild yet stringent supporter of the total transformation of Mars, he is moulded both physically and mentally by an array of challenges. Cooped up under the Southern Pole, he wants to continue his scientific forays. So, with the help of the Swedes (God bless ’em) he gets a new personality, and through plastic surgery becomes another persona all together. A much sexier persona. When on the surface again he gains the affections of Phyllis, another member of the First Hundred (the first 100 colonists of Mars). A devilish woman, they begin an affair, one that Sax finds both discomfortingly new, but satisfyingly exuberant. Eventually his cover is blown, and he is horribly tortured. Recovered by his friends, he begins life again at about the age of 110. Here he begins yet another metamorphosis—he becomes a bit of a bad ass. Having witnessed the blooming of life on Mars, he takes his studies and research to new levels. He both cultivates this blooming, and plans to defend it. He becomes accepting of other points of views, putting his vast knowledge to actual use. Sax is definitely the most interesting character in the whole series so far, actually growing to be a better, more influential person. I look forward to what becomes of him in Blue Mars.
A new character, born on the red soil, Nirgal is the son of Hiroko (self-proclaimed Mother Goddess of Mars). The book opens on his childhood, however short it ends up being. We get a good sense of the openness of this society through Nirgal. Sexuality is freely explored, relationships malleable and ever-changing (often used for political gain), and knowledge the keenest of pursuits. The images of these children of Mars are fantastic indeed. They are gangly beings due to both the gravity and genetics. Strong, sexual, and scheming, these are the young folks who will truly create a Free Mars. Moving on from a blustery beginning Nirgal becomes a powerful and much-loved man. We see a true leader born through other-worldliness. With the young there is hope.
Though we do not share much of Ann’s point of view, I found her fall into extremism fascinating. She is the polar opposite to Sax: vehemently against terraforming, and firm in the belief that the planet should have been left precisely as it had been found. But change is inevitable, as we see in Sax. Ann, however, changes little, only going further and further into her defensive shell. Perhaps it was the death of her husband that sent her over, much like it affects Nirgal (there are many, many threads through the books). Either way, we witness someone who refuses to change, to adapt, and in so doing may cause more harm than good.
And this is just the start. Robinson lets us spend time with the elusive Coyote (a terribly boisterous rogue), the firm, moody, and captivating Maya (a second favourite to Sax), and the solid Nadia. If there is anything that I will take away from this book (apart from the endlessly juicy discussions on global politics, economics, sociology and more) it’s how to write your characters. There are so many flaws, intertwined in so many relationships that nothing ‘cool’ has to happen. The people reflect the planet, and the planet reflects them.
To quote the natives:
There is no going back.